-
-
-
Fraenkel Gallery is pleased to present new work by Wardell Milan. The gallery’s second solo show of the New York-based artist will be on view from October 29, 2020 to January 15, 2021.
The exhibition features Milan’s ongoing series “Death, Wine, Revolt,” which combines photography, drawing, painting, collage, and sculpture to explore themes of over-indulgence, destruction, and revolution. While earlier series such as “Parisian Landscapes” looked inward, to personal questions of freedom and desire, Milan made the works on view in response to the turmoil of the global moment.
The gallery is currently open by appointment. Click here to plan your visit.
- Wardell Milan speaks with Elena Gross of the Museum of the African Diaspora about the work in his current exhibition, Death, Wine, Revolt.
-
Wardell Milan's studio, 2020 -
Wardell Milan Studio Vid. 7 © Wardell Milan
In several large-scale works, Milan uses enlargements of his own photographs of specific locations—the Lorraine Motel in Memphis, where Martin Luther King was assassinated, or the city of Venice—setting his images in dialogue with historical sites of racist violence or political rebellion. Populating the works are a range of human figures, often nude, whose bodies are pieced together from fractured drawings and photographs, and overlaid with blue and white paint. Some groupings suggest erotic coupling or violent encounters, and many arrangements are based on photographic sources.
In 2020, Los Feliz, Los Angeles, Milan positions five figures in white Ku Klux Klan hoods against his own photograph of the city’s hills. The arrangement of bodies is based on a found image of a Klan social gathering, and presents the white nationalists in a bland, contemporary California suburb. In The Parade, the arrangement of figures echoes Diane Arbus’s Untitled (7), from her final body of work made in a home for the developmentally disabled in New Jersey.
-
Wardell Milan's studio, 2020
-
Wardell Milan's studio, 2020
-
Also on view are a selection of smaller works, including white-on-white cut paper collages depicting hooded Klansmen, and paintings from Milan’s ongoing series of tulips. While earlier flower paintings were inspired by the 17th-century Dutch tulip craze, the new works deconstruct the flowers, transforming them into chaotic arrangements of petals and leaves, hinting at the dissolutions the past year has wrought.
-
-
WARDELL MILANAmerika: Klansmen, Spencer and Boon, 2020cut and pasted paper
signed verso in pencil14 x 13-3/8 inches (sheet) [35.6 x 34 cm]
17-1/4 x 16-7/8 inches (framed) [43.8 x 42.9 cm] -
WARDELL MILANAmerika: Klansman, Patty, 2020cut and pasted printed paper
signed verso in pencil11 x 15-1/4 inches (sheet) [27.9 x 38.7 cm]
18-5/8 x 14-1/4 inches framed [47.3 x 36.2 cm]
-
-
-
WARDELL MILANMichael B, 2019cut and pasted printed paper, charcoal, graphite, and color pencil on Yupo paper
signed recto in pencil14 x 11-1/8 inches (sheet) [35.6 x 28.3 cm]
16-1/8 x 13-5/8 inches (framed) [41 x 34.6 cm] -
WARDELL MILANAndres, 2019cut-and-pasted printed paper, charcoal, graphite, and color pencil on Yupo paper
signed recto in pencil12-1/2 x 9-1/2 inches (sheet) [31.8 x 24.1 cm]
16-1/8 x 12-5/8 inches (framed) [41 x 32.1 cm]
-
-
-
WARDELL MILANWayne Hopkins, 2020cut and pasted paper, charcoal, graphite, and color pencil
signed verso in pencil14 x 11 inches (sheet) [35.6 x 27.9 cm]
17 x 14-1/8 inches (framed) [43.2 x 35.9 cm] -
WARDELL MILANUntitled (Landscape, Tennessee), 2020cut and pasted paper
signed verso in pencil10-3/4 x 10-1/4 inches (sheet) [20.3 x 26 cm]
14 x 13-1/2 inches (framed) [35.6 x 34.3 cm]
-
-
-
WARDELL MILANUntitled (Tulip, Tennessee no. 2), 2020oil, charcoal, graphite, pastel & china marker on panel
signed verso in pencil24 x 30 inches (sheet) [61 x 76 cm]
25-1/2 x 32 inches (framed) [64.8 x 81.3 cm] -
WARDELL MILANUntitled (Tulip, Tennessee no. 3), 2020oil, charcoal, graphite, pastel & china marker on panel
signed verso in pencil24 x 30 inches (panel) [61 x 76.2 cm]
25-3/4 x 31-3/4 inches (framed) [65.4 x 80.6 cm]
-
-
-
WARDELL MILANUntitled (Tulip, Tennessee no. 4), 2020oil, charcoal, graphite, pastel & china marker on panel
signed verso in pencil30 x 40 inches (panel) [76 x 102 cm]
31-1/2 x 41-1/2 inches (framed) [80 x 105.4 cm] -
WARDELL MILANUntitled (Tulip, Tennessee no. 5), 2020oil, charcoal, graphite, pastel & china marker
signed verso in pencil30 x 40 inches (panel) [76.2 x 101.6 cm]
32 x 41-1/2 inches (framed) [81.3 x 105.4 cm]
-
-
Wardell Milan's studio, 2020
-
-
For any questions, please contact inquiries@fraenkelgallery.com or click below:
-
Photography by Lucas Michael
Wardell Milan (b. 1977, Knoxville, Tennessee) studied photography and painting at the University of Tennessee and Yale University. His works are in the collections of The Museum of Modern Art, New York; The Art Institute of Chicago; Museum of Contemporary Photography, Chicago; Denver Art Museum; Brooklyn Museum, New York; The Morgan Library & Museum, New York; San Francisco Museum of Modern Art; The Studio Museum in Harlem, New York; UBS Art Collection; and Whitney Museum of American Art, New York, among others. Milan’s work was the subject of the 2015 monograph between late summer and early fall, edited by Cay Sophie Rabinowitz and published by Osmos Books.
-
The gallery is currently open by appointment. Click here to plan your visit to Wardell Milan: Death, Wine, Revolt.
- Wardell Milan Studio Vid. 14 © Wardell Milan
Wardell Milan: Death, Wine, Revolt: ONLINE VIEWING ROOM
Past viewing_room
